"Schmidt's play talks about young people, so self confident and free, that they don't know who they are and where they want to go. They are all artists, well-off people; they have long-distance relationships, and talk on Skype, on the phone, they chat, and do anything in order to distract from how lonely they actually are. Their fickle nature makes an ordinary life impossible. [...] Schmidt manages to convey Generation Y's inability to communicate: although the characters are situated close to one another, in reality they are kilometres away. [...] Actually, it's beautiful constantly oscillates between parody and ludic on one side and gloomy tragedy on the other. Amusing incidents generate disasters, Schmidt unmasks the lack of responsibility of his characters and shows the consequences of their actions. [...] The roles are an amazing fit with the actors. It's a pleasure to watch them on stage, especially when they are all together. In the background a Greek tragedy is brewing, but, in the modern outfit of the post-MTV generation, everything seems half as bad. Somehow we'll pull this off, seems to be the conclusion."